One Thousand and One Conjectures

Joins the two poetic registers of Song China to two enforcement institutions: regulated shi verse was examination technology, rhymed against the frozen categories of the official rhyme books long after speech had moved on, while ci lyrics were written to living melodies…

Chinese Buddhism ran two preservation channels with different physics. Scripture was reproduced by the lay merit economy — copying a sutra earned merit, copying a commentary did not — while scholastic literature survived through monastic cataloguing and canon compilation, which optimize completeness…

Tabooed-graph avoidance has two different carriers that the handbooks conflate: in freshly composed documents it is performed etiquette — current politics inked in real time — while in sutra copying it is inherited from the exemplar, because a copyist reproducing a sacred…

The manuscript-to-woodblock interface should flip the error spectrum of a scripture. A copyist holds the text in his ear for the span of a phrase (self-dictation), so his slips are homophones; a block carver — often semi-lettered, cutting mirror-reversed graphs from a…

The Tibetan-period Dunhuang corpus should show a double dissociation between two channels of borrowing. Liturgy imports FORMAT: Chinese-language Buddhist texts appear on Tibetan-style pothi leaves because the leaf format itself carried ritual prestige and suited recitation. Administration and schooling import SCRIPT: Chinese-language…

Ritual efficacy makes transliteration the fast phonological channel: a dharani works only if pronounced right, so spell-transcription is re-tuned to the living mouth generation by generation — Amoghavajra's 8th-century re-transcriptions replacing older ones is the institution admitting as much. Regulated verse rhymes…

Taboo observance is a writing-time behavior, but block recutting is a tracing-time behavior — a Yuan workshop recutting a Song edition pastes the old print face-down and cuts what it sees, so the dead dynasty's omitted strokes ride through untouched, while a…

To a Song editor reading silently, sentence-final and connective particles (ye, yi, hu, er) are expendable elegance, and printed editions shed them; to a Japanese reader they are load-bearing, because kundoku glossing hangs its verb endings and case markers on exactly those…

Japanese textual survival ran two opposite strategies, legible as opposite distributions in the union catalogue. Court literature survived by the vault: few, early, jealously guarded copies in aristocratic houses, where scarcity was the asset. Temple didactic literature survived by the broadcast: many…

Chinese connoisseurship separates traced copies (mo) from freehand copies (lin) by brush quality — a judgement call. But tracing is mechanical transfer and locks absolute dimensions, while freehand copying rescales freely. Catalogue metadata alone should therefore bifurcate attested copy-pairs into a size-locked…

That Japanese handscroll action tends right-to-left is a specialist commonplace; the unestablished claim is the full mechanism test across cultures. If lateral bias comes from the reading technology — the image must hand the eye onward to the next scene — then…

At Dunhuang, painted banners and woodblock prints of the same deities circulated in the same decades. Prints from one matrix are identical trivially; the conjecture is cross-matrix: variance across different woodblocks of one deity should still be far below painted variance, because…